Daniel Bartholomew-Poyser Appointed Music Director of NYOC

Daniel Bartholomew-Poyser has been appointed as the music director of the National Youth Orchestra of Canada (NYOC) for the upcoming 2026 and 2027 seasons. The former Calgarian, a graduate of William Aberhart High School and the University of Calgary, expressed enthusiasm about the role, emphasizing his ability to influence young musicians across the country.

“The traditions of the National Youth Orchestra of Canada are influencing what Canadians are hearing in concert halls all over the country,” Bartholomew-Poyser said in an interview with CTV News. He highlighted the significant impact that the NYOC has had on the Canadian orchestral scene, noting that many of the country’s orchestras feature alumni from the organization. “It’s a rite of passage,” he added, reflecting on the role the NYOC plays in shaping the future of classical music in Canada.

Bartholomew-Poyser’s career has seen him conduct some of the most prestigious orchestras in the world, including the New York Philharmonic and the Los Angeles Philharmonic at the famed Hollywood Bowl. His journey to this prominent position is marked by a unique background in music. Initially starting as a tuba player in bands, he has expanded his repertoire to include cello, piano, and clarinet in recent years.

“I’m tired of sitting at the back of the orchestra. So, now I stand at the front,” Bartholomew-Poyser remarked, illustrating his transition from performer to conductor. This change has allowed him to not only lead ensembles but also connect with audiences in a meaningful way.

Impact on the Canadian Music Landscape

Bartholomew-Poyser’s leadership at the NYOC is expected to resonate deeply within the Canadian music community. With a commitment to fostering young talent, he aims to inspire the next generation of musicians. His experience and passion for conducting are anticipated to enhance the orchestra’s reputation and reach.

The NYOC has a long-standing tradition of nurturing young musicians, providing them with a platform to develop their skills and showcase their talent. Bartholomew-Poyser’s vision for the future includes expanding the orchestra’s outreach and ensuring that its influence continues to spread across the nation.

Reflecting on his experiences performing in front of large audiences, Bartholomew-Poyser stated, “When you turn around and you see, literally, a city of people listening to you, and then you turn around again and you see the musicians of the L.A. Phil in front of you—musicians that you’ve been listening to your whole life—it’s a lot!” His profound connection to music and performance highlights the emotional and artistic depth he brings to his new role.

As he prepares to take on this significant position, Bartholomew-Poyser’s journey from Calgary to leading the NYOC exemplifies the potential for Canadian musicians to make their mark on the global stage. His appointment is not just a personal achievement, but a promising development for the orchestral landscape across Canada.