David Szalay Discusses His Booker Prize-Winning Novel “Flesh”

David Szalay, a Canadian-born author, recently won the prestigious Booker Prize for his novel “Flesh.” While some commentators interpret the book as a commentary on the contemporary crisis in masculinity, Szalay emphasizes that the novel encompasses broader themes of existence and human experience. In a video call from Vienna, he expressed that he did not aim to contribute to any cultural discussion while writing.

During the conversation, Szalay noted, “To write a book as a deliberate attempt to participate on some level in a discussion like that might have taken the book away from a focus on…trying to write as honestly as I can about certain experiences.”

The narrative follows the life of István, a young man whose adolescence is disrupted by a predatory relationship with an older neighbour. As the story unfolds, it depicts István’s years in the army and his subsequent employment in security, placing him within the realm of England’s affluent society. Critics have pointed to István’s emotional struggles and complex relationships as reflections of toxic masculinity.

Szalay, however, maintains that “Flesh” speaks to universal themes. He stated, “I wanted to write a book just about sort of being alive more generally — about what it means to be alive.” He acknowledged that the protagonist’s gender inevitably brings masculinity into the conversation, but he hopes that readers will appreciate the deeper existential messages within the narrative.

Since winning the Booker Prize, Szalay has experienced a surge of attention and engagement with the media. He humorously remarked on the whirlwind of activity following the award ceremony, stating, “It’s been one of the busiest periods of my professional life.” In the two weeks since receiving the award, Szalay has participated in interviews and public events, including one in Newcastle and the Charleston Literary Festival in South Carolina.

Despite being busy, he has managed to maintain his sense of humor, saying, “I’ve pencilled that in as: recovery from cold,” referring to the illness he contracted shortly after the award ceremony. He does not have any time off until December 3, 2025, which he has identified as a day for rest.

This report by The Canadian Press was first published on November 27, 2025. Szalay’s thoughtful reflections on “Flesh” continue to contribute to important conversations about literature and representation, inviting readers to explore themes beyond traditional narratives of masculinity.