Indigenous Film “Meadowlarks” Spotlights Siblings Separated by ’60s Scoop

In a powerful exploration of family and loss, the film “Meadowlarks” brings together siblings separated during the controversial ‘60s Scoop’ in Canada. Directed by Tasha Hubbard, the drama makes its world premiere at the Toronto International Film Festival (TIFF) on September 10, 2025, and highlights the enduring impact of a painful chapter in Indigenous history.

The film stars Indigenous actors Michael Greyeyes and Michelle Thrush, who emphasize the importance of storytelling in shedding light on darker aspects of history. “The power of film is in bringing light to dark places,” Greyeyes stated during a video call from Naples, Florida, ahead of the festival. The narrative centers on four Cree siblings who reunite for the first time as adults, a premise rooted in Hubbard’s earlier documentary, “Birth of a Family.”

Revisiting a Stigmatized Past

More than 20,000 Indigenous children were taken from their families and placed into foster care or adopted by non-Indigenous families during the ‘60s Scoop. Greyeyes expressed concern that this era remains “tragically misunderstood” even decades later. “When I mention the ‘60s Scoop,’ even those knowledgeable about Indigenous issues often ask, ‘What’s that?’” he remarked. Both Greyeyes and Thrush believe it is crucial for Indigenous artists to ensure their stories are heard and understood.

Thrush added that artists have a unique role in illuminating topics that are often overlooked. “We enter into territory that’s not always talked about or safe,” she noted. “The characters lost so many years together, and our mission was to convey the beauty and love within these fractured relationships.”

Breaking Stereotypes in Indigenous Cinema

Hubbard, currently an associate professor at the University of Alberta, emphasizes the need for depth in Indigenous narratives. She criticized the tendency in film to portray Indigenous characters merely as victims. “We’re not just victims all the time; our characters are complicated, beautiful, and struggling,” she stated. Hubbard referenced other works, such as the APTN/Crave series “Little Bird,” which also addresses themes of reconnection and identity.

“Meadowlarks” aims to resonate particularly with older audiences, focusing on individuals in their 50s as they navigate their complicated family histories. The film is set to open in theatres in November 2025, following its screening at TIFF, which runs until September 14.

This report was first published by The Canadian Press on September 7, 2025. With “Meadowlarks,” Hubbard, Greyeyes, and Thrush hope to contribute to a broader understanding of the Indigenous experience in Canada, fostering dialogue and healing through the art of film.