Entertainment
Pacific Theatre Closes with Wakey, Wakey as Future Uncertain

Pacific Theatre in Vancouver is set to close its doors temporarily after staging the remount of Wakey, Wakey, a play that highlights both endings and new beginnings. The production runs from October 15 to November 2, 2023, marking a significant moment for the theatre, which has been a cultural fixture in the community for over 30 years.
The decision to pause programming comes amid a planned structural upgrade to the venue, located within the Chalmers Heritage Building. Artistic director Kaitlin Williams expressed that while the theatre is cherished, the limitations of its size and accessibility have prompted this necessary break. “What we’ve heard from our community is that, while the space is beloved and iconic, it’s actually the stories, the honest acting, the truthful performances, and the integrity of the work that make up the company,” Williams noted, emphasizing the potential for creativity in new spaces.
Wakey, Wakey: A Farewell Tribute
The final production at the venue is a remount of Wakey, Wakey, a play by Will Eno that was previously nominated for five Jessie Richardson Theatre Awards, including Outstanding Production. This revival is particularly significant as it pays homage to the theatre itself. Williams explained, “The play is a love letter to this room, this theatre, this space. Yes, it’s about endings, even about death in some ways, but more than that it’s about presence—being in the moment with other people.”
In the play, a character named Guy wakes up in an empty room, seeking to make sense of his existence using only flash cards. The production aims to resonate with audiences by exploring themes of presence and connection. Jerry Wasserman, theatre critic for the Vancouver Sun, praised the original production for its direction and the lead performance by Craig Erickson.
For this remount, the original creative team has returned, including Williams, Erickson, and actor Agnes Tong. Williams highlighted the immersive projection design by Wlad Rodriguez, which enhances the theatrical experience. “There’s even a moment where the character references an ambulance going by outside—and because we’re on 12th, ambulances often do go by,” she mentioned. This clever integration blurs the lines between reality and performance, adding a unique touch to the show.
The Future of Theatre in Vancouver
As Pacific Theatre prepares for its hiatus, the future of the venue remains uncertain. Williams noted that many local theatre companies are also grappling with the challenges brought on by the pandemic, stating, “COVID turned theatres off like a light switch, but we’re not like a light switch—you can’t just turn us back on at 100 percent.” The process of rebuilding and transformation is ongoing, as the industry adjusts to the new normal.
Changes in audience behavior are evident, making it harder for theatres to capture attention amidst the daily noise of modern life. Williams pointed out that inflation has increased costs across the board, impacting theatre operations significantly. “We’re all so bombarded with stuff every day. That alone is tough right now,” she said, highlighting the difficulties faced by the arts sector.
Despite these challenges, Williams encourages audiences to visit Pacific Theatre for the poignant production of Wakey, Wakey. “I really hope people come out,” she urged. “It’s a short run, and it’s a special, even sacred space.” As the curtain falls on this chapter, the theatre community looks to the future with hope and resilience, ready to embrace new opportunities as they arise.
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