Violin Worth $30 Million: uOttawa Professor Showcases Rare Stradivarius

Timothy Chooi, a violin professor at the University of Ottawa, is gaining attention for his extraordinary Stradivarius violin, known as the Dolphin, which is estimated to be worth up to $30 million. This 311-year-old instrument has significantly enhanced his musical performance and teaching experience.

During a recent visit to his office on the university’s downtown campus, Chooi expressed his admiration for the Dolphin, stating, “It wants to make music.” The violin, crafted by renowned luthier Antonio Stradivari in 1714 during his famed “golden” period, is one of the most valuable Stradivarius violins in existence.

The Dolphin, with its warm-toned maple and spruce, has a rich history, having been played by legendary violinist Jascha Heifetz. The Nippon Foundation acquired the violin nearly 20 years ago, and its nickname derives from the unique swirl of wood on its back, resembling a dolphin’s curve.

Chooi is no stranger to the responsibility that comes with handling such priceless instruments. When he momentarily stepped away from his office, he instinctively locked the door behind him, a routine developed from his experience with high-value violins. The Dolphin last sold for $6 million approximately two decades ago, and its value has soared since then, reflecting a broader increase in the market for rare string instruments. The Stradivarius known as the Baron Knoop recently set a record sale at $23 million, leading experts to estimate that the Dolphin could fetch at least $20 million if sold today.

Acquiring a Stradivarius is a highly competitive process that requires extensive documentation, including letters of recommendation and performance recordings. Chooi, pronounced “Chewy,” successfully navigated this rigorous selection process. At just 31, he is one of the youngest professors at the University of Ottawa, distinguished by his impressive educational background that includes degrees from the Curtis Institute in Philadelphia and Juilliard School in New York City.

His accolades include numerous prestigious awards from international music competitions, a busy performance schedule, and a vibrant social media presence showcasing his virtuosity. Videos of Chooi’s performances demonstrate his exceptional talent and engaging style, captivating audiences whether he is busking on the street or performing at venues like Carnegie Hall.

Much of Chooi’s artistic development was influenced by his mentor, Pinchas Zukerman, a celebrated violinist and conductor. Their relationship began when Chooi, then a young boy, caught Zukerman’s attention during a chance meeting in Victoria, British Columbia. This encounter led to a decade of mentorship, enriching Chooi’s musical journey.

Born in Victoria to ethnic-Chinese parents, Chooi’s family history reflects a diverse background. His father emigrated from Malaysia, and his mother from Indonesia. Inspired by his older brother, who took up the violin, Chooi began lessons at a young age. He recalls being inspired by the Korean-American prodigy Sarah Chang, which fueled his passion for music.

In his current role, Chooi juggles teaching, research, and a demanding concert schedule that will take him across Canada, the United States, Hong Kong, and Europe over the next six months. His research focuses on the cultural significance of classical music in today’s society, particularly its potential to unite communities. He often travels to areas with limited access to classical music, including northern Quebec, the Northwest Territories, Chile, and Mexico.

“The university is keen to explore how classical music can engage communities,” Chooi explained. “It has long been viewed as an elitist art form.” His efforts in promoting diversity in classical music earned him the university’s 2025 Equity, Diversity and Inclusion in Research award, a notable recognition within the music department.

Chooi’s mission aligns with the Nippon Foundation’s goals, which previously loaned him another Stradivarius, the 1709 Engelman. He described that instrument as challenging to play, likening it to a dragon—“bold, noble, and proud, but difficult to tame.”

Now, with the Dolphin in hand, Chooi anticipates a more harmonious experience. He describes its sound as “bright,” stating, “It just sounds like an OG violin. An original. It’s literally the epitome of a good violin.”

As he continues to share his passion for music, Chooi is not only cultivating his own artistry but also fostering a broader appreciation for classical music in today’s diverse world.